Multisensory integration and the concert experience: An overview of how visual stimuli can affect what we hear
Identifieur interne : 002183 ( Main/Exploration ); précédent : 002182; suivant : 002184Multisensory integration and the concert experience: An overview of how visual stimuli can affect what we hear
Auteurs : Jerald R. Hyde [États-Unis]Source :
- The Journal of the Acoustical Society of America [ 0001-4966 ] ; 2001-05-04.
Descripteurs français
- Pascal (Inist)
English descriptors
- KwdEn :
Abstract
It is clear to those who listen'' to concert halls and evaluate their degree of acoustical success that it is quite difficult to separate the acoustical response at a given seat from the multi-modal perception of the whole event. Objective concert hall data have been collected for the purpose of finding a link with their related subjective evaluation and ultimately with the architectural correlates which produce the sound field. This exercise, while important, tends to miss the point that a concert or opera event utilizes all the senses of which the sound field and visual stimuli are both major contributors to the experience. Objective acoustical factors point to visual input as being significant in the perception of acoustical intimacy'' and with the perception of loudness versus distance in large halls. This paper will review the evidence of visual input as a factor in what we hear'' and introduce concepts of perceptual constancy, distance perception, static and dynamic visual stimuli, and the general process of the psychology of the integrated experience. A survey of acousticians on their opinions about the auditory-visual aspects of the concert hall experience will be presented. [Work supported in part from the Veneklasen Research Foundation and Veneklasen Associates.]
Affiliations:
Links toward previous steps (curation, corpus...)
- to stream PascalFrancis, to step Corpus: 000465
- to stream PascalFrancis, to step Curation: 000157
- to stream PascalFrancis, to step Checkpoint: 000554
- to stream Main, to step Merge: 002264
- to stream Main, to step Curation: 002183
Le document en format XML
<record><TEI><teiHeader><fileDesc><titleStmt><title xml:lang="en" level="a">Multisensory integration and the concert experience: An overview of how visual stimuli can affect what we hear</title>
<author><name sortKey="Hyde, Jerald R" sort="Hyde, Jerald R" uniqKey="Hyde J" first="Jerald R." last="Hyde">Jerald R. Hyde</name>
<affiliation wicri:level="2"><inist:fA14 i1="01"><s1>P.O. Box 55, St. Helena, CA 94574</s1>
<sZ>1 aut.</sZ>
</inist:fA14>
<country xml:lang="fr">États-Unis</country>
<placeName><region type="state">Californie</region>
</placeName>
<wicri:cityArea>P.O. Box 55, St. Helena</wicri:cityArea>
</affiliation>
</author>
</titleStmt>
<publicationStmt><idno type="wicri:source">INIST</idno>
<idno type="inist">04-0182456</idno>
<date when="2001-05-04">2001-05-04</date>
<idno type="stanalyst">PASCAL 04-0182456 AIP</idno>
<idno type="RBID">Pascal:04-0182456</idno>
<idno type="wicri:Area/PascalFrancis/Corpus">000465</idno>
<idno type="wicri:Area/PascalFrancis/Curation">000157</idno>
<idno type="wicri:Area/PascalFrancis/Checkpoint">000554</idno>
<idno type="wicri:doubleKey">0001-4966:2001:Hyde J:multisensory:integration:and</idno>
<idno type="wicri:Area/Main/Merge">002264</idno>
<idno type="wicri:Area/Main/Curation">002183</idno>
<idno type="wicri:Area/Main/Exploration">002183</idno>
</publicationStmt>
<sourceDesc><biblStruct><analytic><title xml:lang="en" level="a">Multisensory integration and the concert experience: An overview of how visual stimuli can affect what we hear</title>
<author><name sortKey="Hyde, Jerald R" sort="Hyde, Jerald R" uniqKey="Hyde J" first="Jerald R." last="Hyde">Jerald R. Hyde</name>
<affiliation wicri:level="2"><inist:fA14 i1="01"><s1>P.O. Box 55, St. Helena, CA 94574</s1>
<sZ>1 aut.</sZ>
</inist:fA14>
<country xml:lang="fr">États-Unis</country>
<placeName><region type="state">Californie</region>
</placeName>
<wicri:cityArea>P.O. Box 55, St. Helena</wicri:cityArea>
</affiliation>
</author>
</analytic>
<series><title level="j" type="main">The Journal of the Acoustical Society of America</title>
<title level="j" type="abbreviated">J. Acoust. Soc. Am.</title>
<idno type="ISSN">0001-4966</idno>
<imprint><date when="2001-05-04">2001-05-04</date>
</imprint>
</series>
</biblStruct>
</sourceDesc>
<seriesStmt><title level="j" type="main">The Journal of the Acoustical Society of America</title>
<title level="j" type="abbreviated">J. Acoust. Soc. Am.</title>
<idno type="ISSN">0001-4966</idno>
</seriesStmt>
</fileDesc>
<profileDesc><textClass><keywords scheme="KwdEn" xml:lang="en"><term>Experimental study</term>
<term>Theoretical study</term>
</keywords>
<keywords scheme="Pascal" xml:lang="fr"><term>4355H</term>
<term>Etude expérimentale</term>
<term>Etude théorique</term>
</keywords>
</textClass>
</profileDesc>
</teiHeader>
<front><div type="abstract" xml:lang="en">It is clear to those who listen'' to concert halls and evaluate their degree of acoustical success that it is quite difficult to separate the acoustical response at a given seat from the multi-modal perception of the whole event. Objective concert hall data have been collected for the purpose of finding a link with their related subjective evaluation and ultimately with the architectural correlates which produce the sound field. This exercise, while important, tends to miss the point that a concert or opera event utilizes all the senses of which the sound field and visual stimuli are both major contributors to the experience. Objective acoustical factors point to visual input as being significant in the perception of acoustical intimacy'' and with the perception of loudness versus distance in large halls. This paper will review the evidence of visual input as a factor in what we hear'' and introduce concepts of perceptual constancy, distance perception, static and dynamic visual stimuli, and the general process of the psychology of the integrated experience. A survey of acousticians on their opinions about the auditory-visual aspects of the concert hall experience will be presented. [Work supported in part from the Veneklasen Research Foundation and Veneklasen Associates.]</div>
</front>
</TEI>
<affiliations><list><country><li>États-Unis</li>
</country>
<region><li>Californie</li>
</region>
</list>
<tree><country name="États-Unis"><region name="Californie"><name sortKey="Hyde, Jerald R" sort="Hyde, Jerald R" uniqKey="Hyde J" first="Jerald R." last="Hyde">Jerald R. Hyde</name>
</region>
</country>
</tree>
</affiliations>
</record>
Pour manipuler ce document sous Unix (Dilib)
EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/OperaV1/Data/Main/Exploration
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 002183 | SxmlIndent | more
Ou
HfdSelect -h $EXPLOR_AREA/Data/Main/Exploration/biblio.hfd -nk 002183 | SxmlIndent | more
Pour mettre un lien sur cette page dans le réseau Wicri
{{Explor lien |wiki= Wicri/Musique |area= OperaV1 |flux= Main |étape= Exploration |type= RBID |clé= Pascal:04-0182456 |texte= Multisensory integration and the concert experience: An overview of how visual stimuli can affect what we hear }}
This area was generated with Dilib version V0.6.21. |